Author of "Ubu Roi" (Ubu The King), a masterpiece that prefigured the Dadaist and later Surrealistic movements, he was also the father of Pataphysics, the science of exceptions or imaginary solutions. This was Alfred Jarry. "Ubu Roi" is still still produced, but not nearly enough. In its time, it was considered a vicious, even dangerous, political satire, its street language scandalized theater critics and it closed after a single performance.
On occasion Jarry, all 5' 1" of him, rode his bicycle through the streets of Paris with two, fully loaded, pearl-handled pistols holstered at his side. He is known to have fired one or both of the pistols several times. Witnesses differ on the number of shots fired but on one point there was unanimity, Jarry never pointed at anything but sky. Jarry was also a prolific inventor. He designed and built a time machine masw of brass, wood, ivory and as many dials an gauges as an atomic submarine. Several artists saw the time machine, but never sat in it, as far as anyone knows. Still considering his fame or infamy, it seems peculiar that nobody (not even Picasso) had any idea what became of it. I failed to locate it in the possession of any museum or private art collection. It may well have not survived. The time machine would, however explain Jarrry's sudden disappearance at the age of 34, on the night of November 1, 1907. Newspapers the next day said that Jarry had died. There was a funeral several days later. But after so many years, it is difficult to separate what is true from speculation. Born on September 8, 1847, he became, with Picasso, a major influence on the arts and letters of the time. Jarry foresaw "Theater of The Absurd" as well as the Dada and Surrealistic movements. At the same point in time, Picasso was creating Cubsism.
* The caption over the above picture of Alfred Jarry is, of course, borrowed from
Marcel Duchamp's
Surrealistic
masterpiece called, ""This is not a pipe." (See figure 2*)
It hangs in the Louve
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